My Favourite Character

Ferris Bueller from "Ferris Bueller's Day Off" is the king of skipping school. Here’s how the three things we learn about Vincent Vega from "Pulp Fiction" would apply to Ferris:

1. Car: Ferris would definitely drive a flashy red Ferrari 250 GT California. The ultimate symbol of freedom and fun, perfect for a guy like Ferris
2. Restaurant Order: In a restaurant, Ferris would go for something extravagant and delicious, like a gourmet burger with all the toppings a large side of fries, as he’s all about indulgence and enjoying life to the fullest.
3. Music: Ferris's music taste would be wide-ranging, leaning heavily towards the upbeat and energetic. Think 80s hits like "Twist and Shout" by The Beatles (he did perform it in a parade) and other fun, danceable tunes from bands like Duran Duran and The Cure.

Five more things about Ferris that we don't know from the film:

1. Perfume or Aftershave: Ferris would wear something fresh and youthful, like Ralph Lauren Polo Blue, as it’s sporty, casual, and perfectly matches his charming personality.
2. House: Ferris would live in a modern, stylish apartment in the heart of Chicago. It would be filled with cool gadgets, a sound system for blasting his favourite tunes, and a rooftop terrace for throwing many parties
3. Favourite Book: Ferris’s favourite book would probably be "The Catcher in the Rye" by J.D. Salinger, as he can relate to Holden Caulfield’s desire to break free from the norms and live life on his own terms.
4. Favourite Movie: His favourite movie would likely be "Back to the Future", as it’s all about adventure, breaking rules, and having a great time – just like Ferris’s own philosophy.
5. Hobbies: Besides his obvious talent for skipping school, Ferris would probably be into photography as he’d love capturing moments of fun and adventure with his friends, creating memories that would last a lifetime.

The Fly

 "The Fly," directed by Olly Williams, is a hilariously captivating short film that follows the misadventures of a getaway driver awaiting the end of a bank robbery. His tranquillity is shattered by an incessant fly in his car, which drives him to the brink of madness. The lack of dialogue in the film places a heavy emphasis on sound design. From the onset, the tension is palpable with the sound of guns being cocked and instructions being given, setting the stage for a high-stakes scenario. However, the focus shifts unexpectedly to the situation of the getaway driver, accentuated by the relentless buzzing of the fly. This auditory assault not only immerses the audience in the character's frustration but also evokes empathy for his predicament. As the heist unfolds in the background, the escalating intensity of the sounds from the bank mirrors the driver's growing agitation.

Cinematography and editing play pivotal roles in portraying the protagonist's deteriorating mental state. Initially, the film employs static shots and deliberate editing to convey a sense of calm. However, as the driver's irritation mounts, the visuals become increasingly erratic, with dutch angles and shaky handheld shots intensifying the chaos. Close-up shots of the fly exaggerate its size, emphasizing how a minor nuisance can escalate into a major ordeal. Through clever editing, moments of frenzied action inside the car are juxtaposed with serene exterior shots, highlighting the absurdity of the situation and eliciting laughter from the audience.

One standout scene involves the driver's desperate attempts to rid himself of the fly, inadvertently triggering the car horn and causing the airbag to deploy. The incessant blaring of the horn, amplified by the skilled sound design, adds to the comedic chaos. Ultimately, the film concludes with the driver snapping back to reality, realizing the havoc he has wreaked as police sirens wail in the distance. Through its masterful use of sound, cinematography, and editing, "The Fly" delivers a comedic and thought-provoking exploration of how even the smallest annoyances can lead to madness.